I'm excited to announce that this summer I'm piloting a small festival of contemporary poetry and the verbal arts in Dublin: re:verb is a platform showcasing poetry and verbal art that predominantly strays from the mainstream, and aims to expand the potential of live literature. Its purpose is to offer an outlet and an encouragement for new forms and approaches to the making and presentation of contemporary poetry and literature that privilege liveness and vibrancy. And as a small poetry/verbal arts festival, re:verb aims to operate on a model that relies on a communal, artist- and audience-centred stake in its workings. The dates of this year's edition are 5-6 June 2026 . At-a-glance programme information above, with links to tickets, as well as artist details, below. The idea is that, if all goes well and there's demonstrable appetite for it from every direction, re:verb will potentially become an annual fixture. re:verb is, in its current form at least, a zero-bu...
Sabne Raznik, a poet, book reviewer and freelance writer based in Kentucky in the US, has posted a review of my three books on Yahoo! Voices under the heading 'The Work of Christodoulos Makris' . It's a generally positive response to them, particularly to Muses Walk ("With it, one begins to see that Makris is an important poet, not just for sleepy Ireland, but perhaps for the world," she writes) but not without expressing some reservations along the way. I must note a couple of factual inaccuracies: the project for which Muses Walk was originally conceived and made is an international one, called 'An Inventory of Al-Mutanabbi Street'; and, much as I wish it were true, there has been no recent trip to Greece .
‘ Literature is the question minus the answer. ’ gorse No. 7 is now out. Themed around the concept of 'codes', its cover art is as ever by Niall McCormack, and each copy comes with a 'one-time pad' for its decoding. The issue features essays from Scott Esposito, Jonathan Gibbs, John Z Komurki, Shona McCombes, and Pierre Senges (translated by Jacob Siefring); fiction from Chris Beausang, Owen Booth, Celine Fox, Anthony McGuinness, and CD Rose; Irish writing from Colm Breathnach & Liam Mac Cóil; and an interview with Alan Moore by Pádraig Ó Méalóid. I'm very happy to be publishing poetry from Cork-based Sheila Mannix in the form of 'Burning Boat', a long hybrid poem; three new poems, including a triptych, by Michael Naghten Shanks (Dublin); four poems by Brooklyn-based Chris Campanioni from his project 'The Internet is for Real'; and four visual erasure poems by John Rodzvilla (Boston, MA). Susan Tomaselli's editorial 'Falsing...
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