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UpStart: The Video (with Stephen Rea)

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DIAL (Chapter 11: November) at The Complex (Kirkos: The Depot Sessions)

On Friday 21 November 2025 I performed a live hour-long version of Chapter 11: November from my ongoing durational project DIAL , this time in collaboration just with Keith Lindsay on electronics and live radio feedback. The performance took place in The Depot, The Complex Arts Centre’s large warehouse performance space, and it was part of Kirkos' takeover of The Depot Sessions . Kirkos is a music group from Dublin, as well as the operator of a DIY venue with a radically open approach to programming.  The Complex is the only multi-disciplinary arts centre in Dublin's north inner city, combining seventeen studios, a large warehouse performance space and a gallery. * A four-and-a-half-hour live extravaganza with performances of various kinds and durations happening at times simultaneously within The Depot, this was a wonderfully conceived and delivered event with a borderless, communal, quasi-anarchic, and ego-free vibe not often encountered in Dublin, taking its cue from the...
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Modern Poetry in Translation (No.3 2025)

Two sections from my fifth book It Reeks of Radio , along with their translations into Greek by Despina Pirketti, are featured in the latest issue of the illustrious UK-based magazine Modern Poetry in Translation . The issue, released late November 2025, bears the title 'The Antidote to Agony: Focus on the Poetry of Greece and Cyprus.' Modern Poetry in Translation  was founded in 1965 by Ted Hughes and Daniel Weissbort, and for 60 years it has been publishing "the best new poetry, essays and reviews from around the world." In truth I was somewhat surprised to be invited by guest issue editor, Jessica Sequeira , to feature, as the focus is on translations into English of poetry written in Greek. However, in the issue announcement  Jessica writes the following: "Greek poetry, as perhaps all poetry, opens the heart to the beyond, to the liminal condition. The truth is that the idea of a national focus will forever be complicated given that migrants also form part of...
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SoundEye 2025

In a discussion-based oral history of SoundEye Festival (1997-2017) collated by David Toms and published in the special poetry issue of The Stinging Fly  magazine in the summer of 2022 , my absence from the history of the festival as a forum for international experimental poetries in Ireland was noted and remarked upon. I'm happy that this is now being rectified, and that I'll be taking part in the upcoming revival edition, the first since 2017: SoundEye 2025 takes place in over the weekend 4-6 July 2025 with a free schedule of events at University College Cork and Shandon Studios, Cork City. And I'm very pleased to be reading with Nisha Ramayya, Peter Manson, and Gonca Özmen on Saturday 5 July (12 - 1.30pm) at The Shtepps auditorium in UCC. Founded in 1997, SoundEye - Festival of the Arts of the Word  was an annual festival of poetry held in Cork and dedicated to the exploration of innovative writing. With a focus on the legacies of modernism, translation, and the ...
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