A 5-minute home video made last October for the project & exhibition 'Transcapes / The Halted Traveler' in which I read from Muses Walk under fading light.
Guest editors can charge magazines with an energy and relevance they had hitherto only potentially or theoretically possessed - and this could not be better illustrated than with this latest issue of The Stinging Fly, edited by Dave Lordan. The Stinging Fly has established a reputation as the "go-to" place for those in Ireland looking for new and exciting writing, but when it comes to poetry it has fallen a little short of doing something truly remarkable or breaking the mould. With this issue, Lordan, a singular presence in Ireland's contemporary poetry scene, has sought to rectify this - while his notes on its editing articulate refreshing views on writing, editing and criticism. I'm happy he has chosen to include my poem 'The Executioner's Confession' in his issue. Also included is work by several poets who for me have stood out over the last few years, among them Kimberly Campanello,...
Publication Title: sorry that you were not moved Authors: Kimberly Campanello & Christodoulos Makris Publisher: Fallow Media Date of Publication: 10 February 2022 Availability: Free sorry that you were not moved is an interactive collaborative digital poetry publication by Kimberly Campanello and Christodoulos Makris exploring space-time dimensions of travel through experimental-appropriative writing strategies and audiovisual interventions. It was created in collaboration with Ian Maleney of Fallow Media, inspired by Italo Calvino’s Invisible Cities , and made with the support of an Arts Council Literature Project Award. CLICK HERE to travel. Dear reader, After several months navigating digital space-time in intertextual collusion with Italo Calvino's Invisible Cities , we present these mementoes of what we encountered on our voyages. The engines of our digital travels were fired by diverse strategies and they landed us both nowhere and everywhere. All refle...
"My story is a hidden one, you cannot see it written on my face as I walk on the streets." I am proud to be contributing to Correspondences : an anthology to call for an end to direct provision in Ireland. In being paired with a writer in the direct provision system, my participation was predominantly in a mentoring capacity, that is to help bring writing by said writer (in my case, Donatien Francis) to print, but like everybody else I also contribute a short text of my own. Correspondences is edited by Stephen Rea and Jessica Traynor , and pairs writers, photographers and visual artists in the direct provision system in Ireland with Irish artists and writers. I was happy to be invited on board the project, not least given my own personal & family history as a child refugee of war and as a person who has migrated more than once. Comparing circumstances and severity is pointless or even counterproductive, but I can't fail to highlight the humbling effect of wh...
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