Tripwire 17

Three new poems of mine are included in issue 17 of Tripwire  (January 2021), a superb print journal of poetry and poetics publishing in Oakland, California. Tripwire  is devoted to a counter-institutional exploration of radical and experimental modes of contemporary poetics, art, and cultural politics. It was founded in 1998 by Yedda Morrison and current editor David Buuck . Six issues were published between 1998 and 2002, before rebooting in 2014. The journal presents critical and creative work within a loose rubric, carrying issue titles such as 'Cities', 'Work', 'Transnational/Translational', 'Pop', 'The Red Issue', 'Performance/Writing' etc, along the way incorporating mini-features on Renee Gladman, the poetry of the Greek crisis, and more. Special supplements, a pamphlet series, and a translation grant have also been launched.  This wide-ranging interview with David Buuck about  Tripwire and contemporary poetics & politics c

2020/21 Literature Project Award (Arts Council Ireland)

I am pleased to announce receipt of a 2020/21 Literature Project Award from The Arts Council of Ireland: Poets Kimberly Campanello and Christodoulos Makris have been awarded a Literature Project Award to collaboratively explore space-time dimensions of travel in the age of digital/anthropocene. Dublin-based digital publisher Fallow Media will disseminate the result through a discrete digital publication to be released in late 2021. Time is elastic in the age of the digital/anthropocene, and our perception of physical spaces, including how we navigate them and the resonances they have for us, have altered. This creates a vertiginous contrast between our increasing scientific awareness of geological 'deep time' and the eternal present of the digital 'update' and 'scroll'. The recent past of easy travel has become a distant past, possibly not to return. We will explore how the two dimensions of travel (space-time) work across each other by writing in dialogue wi

Magma 78: Collaborations

Issue 78 of the poetry magazine Magma is devoted to an exploration of collaboration in its "hive-minded, symbiotic, experimental and downright radical" expressions of the form. I'm pleased that the issue includes 'Poem A: Fashion Week', one of the two strands comprising 'stone washing', my bilingual collaboration with Pierre Alféri - novelist, poet, and essayist, and son of the philosopher Jacques Derrida and psychoanalyst Marguerite Aucouturier . Magma is based in London and publishes three issues a year, with each issue focusing on a different theme and collated by different editors. Magma 78 is edited by David Floyd and Alice Willits . My collaboration with Pierre was originally commissioned by SJ Fowler - who is the subject of an in-depth interview in Magma 78 - for the 2019 edition of European Poetry Festival . From our collaborators' note printed in the issue: 'stone washing' is a two-strand bilingual process poem taking the form

Red Line Book Festival 2020

On Thursday 15 October I will take part in an event focusing on experimental writing as part of this year's Red Line Book Festival. Held in October each year, the Red Line Book Festival takes place in various venues across South Dublin County. It is funded by South Dublin County Council and managed by South Dublin Libraries and Arts. This year's edition features a blended programme of online and offline events. 'Experimental Writing with...' is an online event also featuring  Kimberly Campanello and Alice Lyons , and hosted/moderated by Gregory Betts . From the event description: Experimental Writing has experienced a resurgence of late and the work of poets Kimberly Campanello and Christodoulos Makris, as well as novelist Alice Lyons, have been held up as part of its current re-emergence. Noted experimental poet and academic Gregory Betts will be hosting this fascinating discussion of where experimental writing is today, and where it will go next. Start time is 6.30

'Capital' at Irish Museum of Modern Art

On Saturday 5 September I will present a new long poem with title 'Capital' at the Irish Museum of Modern Art (IMMA). This is part of a programme of events for The People's Pavilion installation, a public outdoor space located on the museum's front lawn where people can meet safely in specially designed social distancing circles. From the event description: 'Capital' is a polyphonic poem composed of fragments of text from unattributed reviews of establishments on Talbot Street, publicly available on Google Maps. It has its roots in Makris’s longstanding interest in the shifts in language use, communication and identity brought about by digital media, and their implication on poetic discourse. The poem maps the street through the kind of public-private writing prevalent online (the reviews often stray into personal anecdote). Its documentary and fragmentary nature also responds to the early post-Covid conditions, our toggling between 'real' and online g

'this is no longer entertainment' reviewed on PANK Magazine

A review of this is no longer entertainment  appeared on PANK Magazine  last week, written by Hayden Bergman - poet, translator and Books Editor at  The Literary Review. Founded in 2006 by M. Bartley Seigel and Roxane Gay, PANK Magazine is a US literary magazine "fostering access to innovative poetry and prose, publishing the brightest and most promising writers for the most adventurous readers". It is currently edited by Jessica Fischoff and Chris Campanioni with a remit to "advance the original vision of the founding editors and the rich history that’s published so many innovative voices". In his review Bergman names some of the subject areas the book covers and writes that "it does so in an acrobatic manner, darting between poetic registers, code-switching from satire to sentiment". He considers it being marked by collisions of ideological extremes, and comments: "Makris writes in a way that takes note of the pleasures and pitfalls of extrem

'framed entertainment' (Arts Council of Ireland Covid-19 Crisis Response Award)

I am pleased to announce the release of a video with title 'framed entertainment'. Enabled through receipt of an Arts Council of Ireland Covid-19 Crisis Response Award, 'framed entertainment' presents raw footage from a private reading of a hybrid text composed of sections from my third book  this is no longer entertainment  interspersed with fragments of theoretical framework taken from my introductory essay 'Poetry and Cultures of Feedback' . Conforming to full Government of Ireland lockdown restrictions (Phase One) the reading was for an audience of one and it took place on a remote beach within 2km of my home; it was filmed by a member of my immediate family on their personal device, and the video was home-edited using widely-available amateur tools. With thanks to the Arts Council of Ireland for the award. The Arts Council of Ireland introduced this special award in April 2020 to support Ireland-based professional artists across all disciplines in creatin

Carlow Writer-in-Residence programme (summer 2020)

I was pleased to be invited to the Carlow Writer-in-Residence programme, as part of which I will deliver a series of workshops over July and August 2020. The programme is managed by the Carlow County Council Arts Office in partnership with Carlow College , and has been running for the past few years with contributions from writers and artists working across disciplines - poets, novelists, short story writers, essayists, filmmakers, dramatists, songwriters. The workshops are administered by the residency organisers and are directed at members of writers groups in Carlow. Given ongoing restrictions associated with Covid-19 my activities will be delivered online, and in the course we will focus on language as material rather than as conveyor of meaning or message, privileging observational, appropriative, responsive and participative approaches to literary practice over notions of originality or genius. My thanks to Sinead Dowling, Carlow Co Co Arts Officer, and Dr Derek Coyle at Carlow

'this is no longer entertainment' reviewed on Stride magazine

A review of this is no longer entertainment appeared on Stride magazine on 29 May 2020. Stride was founded in 1982 and is edited by Rupert Loydell. It has had various incarnations over the years, most recently in an online edition, with an archive of its content between 1999 and 2015 available at . As of May 2016 it is being published at . The review is by writer, performer and teacher Mark Leahy , and it is titled 'move away from blatant plagiarism' - which is itself a quote from my book. Leahy places the book in the traditions of avant-garde writing and documentary poetics (in both film and poetry) and uses numerous examples from it to illuminate context, process and intention. To this end he also references  my 2017 StAnza Festival project  Browsing History and the recent audio recording of extracts from this is no longer entertainment for Hotel magazine . Crucially, he also picks up on the physicality

'this is no longer entertainment' reviewed in Poetry Ireland Review

Issue 130 of Poetry Ireland Review (April 2020) carries a review of  this is no longer entertainment . Written by David Toms, the review piece is titled 'Feeding The Engines' and in it my book is considered along with books by Matt Kirkham and Natasha Cuddington. Toms opens with a paragraph on Shoshana Zuboff's groundbreaking work  The Age of Surveillance Capitalism and in particular on her use of the term 'behaviour surplus', identified as 21st century capitalism's driving force and the internet's central product - which serves as an introduction to his discussion of my book. Writing about this is no longer entertainment  he argues that "the title itself is a stark warning, as strong as Zuboff's core argument" and calls the book "a sustained and at times terrifying glimpse of the world as it now exists". Later he writes: "We talk about the online and offline, although the line between one and the other - as Zuboff's work d