Showing posts from May, 2017


I'm very happy to be contributing to the first issue of CORDA, a new biannual magazine published in London and exploring communal experience of connections in a time of new borders. Started in direct response to the Brexit vote, and edited by Livia Franchini with art direction by Sean P Haughton, CORDA publishes both writing and visual material.

My contribution has the title 'tanks rolled through our streets', and it is a borderless mashup of testimonies by young mother refugees to the US and 'below-the-line' commentary on the online article in which they were published.

Thanks to Livia Franchini for asking and for publishing this piece, and kudos to Livia and Sean for creating a space for writers & artists across Europe and elsewhere to "grieve/rage/celebrate friendship together in the wake of Brexit".

Full list of contributors to CORDA #1: Cecilia Zoe Grandi, Ginevra Shay, Craig Clark & Caterina Pinzauti, Laura Merizalde & Dizz Tate, Jade Ki…

January - April 2017: a recap

The year has started pretty full on, and this is far from a complaint. Taking advantage of a couple of hours of lull, I've put together this recap with some thoughts on a selection of my recent activities on various fronts (news on publications will follow on separate posts):

I'm proud and excited to be working with Ailbhe Darcy and SJ Fowler to bring their collaborative book of poetry Subcritical Tests, the first title in our emerging gorse editions, to print. Quite apt since the book has its roots in the collaborative poetry tour Yes But Are We Enemies from 2014 - the extension of Steven's Enemies Project into Ireland which I produced and co-curated, and for which Ailbhe was one of the core poets. Cover and internal artwork is by the ever-brilliant Niall McCormack; there's also a short trailer film made by Conor Friel inspired by the material in the book. Preorders and launch details soon.

Issue 10 of gorse will be a special collectors', commission-only issue whi…