Subscribe by Email

Muses Walk gets recommendation

To celebrate being nominated by The Alliance for Independent Authors for their 'Top Website for Self-Publishers' award, Sabotage Reviews has selected for recommendation eight self-published works from the website's not inconsiderable archives. Alongside among others an artisan book from Kate Tempest and a chapbook with responses to the work of Ginsberg, I was very happy to see that Muses Walk was one of the publications recommended.

Thanks to editor Claire Trévien for her attention to the book. And congratulations to Sabotage Reviews - a vibrant, innovative and wholly necessary reviews journal.

Over half of all copies of Muses Walk have now gone. Some are still available for 8 Euro. As the number of remaining copies diminishes, the price will go up...

Comments

Post a Comment

Popular posts from this blog

'Listen and Surprise' for Poetry Day Ireland 2018

My mass collaboration Twitter widget poem 'Chances Are'  which has been running continuously since 8 August 2014 on 3:AM Magazine , and its translation into page poetry published in The Architecture of Chance , comprise one of the choices in the 'Listen and Surprise' competition project run by Fingal Libraries as part of Poetry Day Ireland 2018 . Conceived by Máighréad Medbh , 'Listen and Surprise' invites responses to one of eleven poems  in any of four formats: image, video, sound, or text. The deadline for entries is 31 March 2018, and contributions will go live on a dedicated tumblr page on 26 April 2018. Full project details.
Read more

'Capital' at Irish Museum of Modern Art

On Saturday 5 September I will present a new long poem with title 'Capital' at the Irish Museum of Modern Art (IMMA). This is part of a programme of events for The People's Pavilion installation, a public outdoor space located on the museum's front lawn where people can meet safely in specially designed social distancing circles. From the event description: 'Capital' is a polyphonic poem composed of fragments of text from unattributed reviews of establishments on Talbot Street, publicly available on Google Maps. It has its roots in Makris’s longstanding interest in the shifts in language use, communication and identity brought about by digital media, and their implication on poetic discourse. The poem maps the street through the kind of public-private writing prevalent online (the reviews often stray into personal anecdote). Its documentary and fragmentary nature also responds to the early post-Covid conditions, our toggling between 'real' and online g
Read more

Inflammatory Speech: an Irish Museum of Modern Art commission

In July,  Nathan O'Donnell ,   Suzanne Walsh  and I operating as a collaborative unit received one of three project commissions from the Irish Museum of Modern Art (IMMA) to create new work in response to the ROSC 50 exhibition. After a four-month research and composition period, our resulting collaborative text and performance 'Inflammatory Speech' will be presented on  Saturday 11 November at 2pm in The Johnston Suite at IMMA  as part of  an event showcasing the ROSC 50 artist research commissions. Admission is free, but  booking is required  as places are limited : "Audiences are invited to attend a seminar comprising of artists’ performance, lecture presentations, screening and a panel discussion. This includes research projects in response to the Rosc exhibitions: 'Prologue' by artist Amanda Coogan , 'Poverty of Vision' by Emma Haugh and a collaborative project titled ‘Inflammatory Speech’ by Christodoulos Makris, Nathan O’Donnell and Suzan
Read more