In the course of my participation in the 3rd ISLA Festival in October, I was interviewed by Eleanor Molloy at the Dámaso Alonso Library of the Instituto Cervantes in Dublin for the Institute's YouTube channel:
I had a wonderfully intense time in New York City in the first half of January, facilitated by a formal residency at Irish Arts Center awarded to me through a two-part cross-Atlantic residency programme led by St John's Theatre & Arts Centre, Listowel, Co Kerry. The core component of the residency was an opportunity to work further on my next poetry manuscript using the space and facilities at the Center, located on 11th Avenue, in the Hell's Kitchen neighbourhood in Manhattan, while feeding off the energy, sounds, images and the general tumult, urgency and creativity of New York City. While my time there was short I was able to add some new elements to the manuscript, but more importantly to begin to think of it and start editing in structural, macro terms. I have for a long time now recognised that I write or make hybrid-form work in book- or project-length cycles, rather than in shorter, standard poem-length forms, even though those cycles are sometimes composed of link...
‘ Literature is the question minus the answer. ’ gorse No. 7 is now out. Themed around the concept of 'codes', its cover art is as ever by Niall McCormack, and each copy comes with a 'one-time pad' for its decoding. The issue features essays from Scott Esposito, Jonathan Gibbs, John Z Komurki, Shona McCombes, and Pierre Senges (translated by Jacob Siefring); fiction from Chris Beausang, Owen Booth, Celine Fox, Anthony McGuinness, and CD Rose; Irish writing from Colm Breathnach & Liam Mac Cóil; and an interview with Alan Moore by Pádraig Ó Méalóid. I'm very happy to be publishing poetry from Cork-based Sheila Mannix in the form of 'Burning Boat', a long hybrid poem; three new poems, including a triptych, by Michael Naghten Shanks (Dublin); four poems by Brooklyn-based Chris Campanioni from his project 'The Internet is for Real'; and four visual erasure poems by John Rodzvilla (Boston, MA). Susan Tomaselli's editorial 'Falsing...
I very much look forward to reading with Charles Bernstein - foundational member and leading practitioner of Language poetry in the US, and Catherine Walsh - one of Ireland's most significant experimental poets, on Monday 2 December at the Institute of Humanities, University College Dublin. 'Warning: Difficult! Poetry?' is curated and hosted by João Guimarães . Start time is 5.30pm, and the venue is UCD Humanities Institute seminar room (H.204). The event is free to attend but requires registration. More details, including poet biographies and tickets, here . Video:
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