Subscribe by Email

Droichead Arts Centre

As part of the opening of Thomas Brezing's exhibition/installation 'The Road is Paved with Good Intentions' at the Droichead Arts Centre on Wednesday 14 January 2015, I will be doing a collaborative performance with the artist in his 'Carpet Man' persona:

"Carpet Man is an ongoing performance-based project running since 2011, revolving around a persona adopted by Thomas Brezing. Carpet Man has appeared in derelict houses, a snow-covered mountain, an abandoned pool, a beach, an old shop unit, a vandalised warehouse, a forest and several other locations. A short film documenting his journeys was produced in 2013. Christodoulos Makris is a poet, editor and curator particularly interested in experimental/innovative/conceptual writing, often the result of collaborations. His essay on Brezing's Carpet Man project appeared in the July/August 2013 issue of Visual Artists Ireland newsletter. For this performance, he will engage with Carpet Man by responding to the variously discarded material he encounters or manipulates in his journeys - as also used by Brezing for his gallery installation - with treatments of contemporary cultural detritus."

The exhibition runs from Thursday 15th January to Saturday 28th February (gallery open Tuesday-Saturday, 10am – 5pm)

Free Admission

Comments

Post a Comment

Popular posts from this blog

"Almost Unpoetic": a review of my books

Sabne Raznik, a poet, book reviewer and freelance writer based in Kentucky in the US, has posted a review of my three books on Yahoo! Voices under the heading 'The Work of Christodoulos Makris' . It's a generally positive response to them, particularly to  Muses Walk ("With it, one begins to see that Makris is an important poet, not just for sleepy Ireland, but perhaps for the world," she writes) but not without expressing some reservations along the way. I must note a couple of factual inaccuracies: the project for which Muses Walk was originally conceived and made is an international one, called 'An Inventory of Al-Mutanabbi Street'; and,   much as I wish it were true, there has been no recent trip to Greece .
Read more

DIAL on Dublin Digital Radio

Tune in to Dublin Digital Radio  on Saturday 7 December 2024 at 2pm local time, where I will be performing excepts from my writing project DIAL , with sonic interventions by Joanna Mattrey, Keith Lindsay and Nick Roth, in a 60 minute broadcast presented by Diatribe Records. DIAL is a durational-procedural-aleatory work I composed by live-transcribing 5 minutes of talk radio broadcasting anywhere in the world each and every day across the entire calendar year 2021, and linking these transcripts with short pieces of 'original' writing produced contemporaneously. The radio station accessed each day depended on the previous day's text, and was determined by entering keywords from it as search terms on the TuneIn platform. The full manuscript runs to over 120k words, and it is divided into 12 chapters arranged as uninterrupted blocks of text. Over the past few months I have been working with Diatribe Records in translating DIAL back into sound by speaking the entire te...
Read more

gorse editorial

I was honoured and delighted to receive an invitation from Susan Tomaselli to join gorse  as poetry editor - an invitation I wasted no time in accepting. As I'd written  elsewhere , I consider gorse a unique and refreshing presence in the Irish literary landscape, with an outlook, temperament and set of interests that resonate deeply with mine. Getting the chance to contribute to it in an editorial capacity and to work towards strengthening the considerable impact it has already made in just two issues is a hugely exciting challenge, full of possibilities. It's hard to specify what kind of poetry I'm looking for, because above all I want to publish poetry I didn't know I was looking for. Likely to interest me, though, is writing that plays with boundaries of form, language and genre, that's aware of social, political, technological and cultural developments, that's interrogative and outward-looking, conceptually-rigorous and witty. We are beginning to work ...
Read more